Overview
Artspace111 is proud to present the latest exhibition About Time, featuring paintings by Jim Woodson.

No neat borderline separates a purely perceptional image-if such there is- from one completed by memory…”-Rudolf Arnheim


This work explores​​ memory images serve to identify, interpret, and supplement perception. These paintings draw inspiration from the high deserts of the southwest, mostly in Texas and New Mexico. These “outer” landscapes are modified by  “inner ones”. The inner concerns are a dialogue with dreams, memories, thought fragments and streams of consciousness. By the contextual placement or overlay of inner and outer, Woodson conveys thoughts about the nature of imagination: to achieve a sense of the imagination’s movement (tempo) against a relatively unchanging environment (duration). Woodson is interested in calling attention to the act of painting, as well as to how one understands visual conventions by combining self-referential marks and forms with more traditional rendering. Woodson shows us these juxtapositions enliven the surface and create an ambiguous space that causes the viewer to question his/her notions about perceptual space. Woodson provides the viewer choices that lie between dualities like cultural and natural, perspectival and encompassed, near and far, representational and abstract, mythic time and geologic time, movement and stillness, order and chaos. Woodson believes landscapes to be understood as a “verb” rather than a “noun”.
Works
Artspace111 is proud to present the latest exhibition About Time, featuring paintings by Jim Woodson. This work explores​​ Memory images serve to identify, interpret, and supplement perception. These paintings draw inspiration from the high deserts of the southwest, mostly in Texas and New Mexico. These “outer” landscapes are modified by “inner ones”. The inner concerns are a dialogue with dreams, memories, thought fragments and streams of consciousness. By the contextual placement or overlay of inner and outer, Woodson conveys thoughts about the nature of imagination: to achieve a sense of the imagination’s movement (tempo) against a relatively unchanging environment (duration). Woodson is interested in calling attention to the act of painting, as well as to how one understands visual conventions by combining self-referential marks and forms with more traditional rendering. Woodson shows us these juxtapositions enliven the surface and create an ambiguous space that causes the viewer to question his/her notions about perceptual space. Woodson provides the viewer choices that lie between dualities like cultural and natural, perspectival and encompassed, near and far, representational and abstract, mythic time and geologic time, movement and stillness, order and chaos. Woodson believes landscapes to be understood as a “verb” rather than a “noun”.
  • Jim Woodson, Animating Realized Anomalies, 2022
    Jim Woodson, Animating Realized Anomalies, 2022
  • Jim Woodson, Acknowledged Vertical Transitions, 2022
    Jim Woodson, Acknowledged Vertical Transitions, 2022
  • Jim Woodson, Eminating Embodied Evocations, 2024
    Jim Woodson, Eminating Embodied Evocations, 2024
  • Jim Woodson, Enumerating Contrandicated Consequences, 2023
    Jim Woodson, Enumerating Contrandicated Consequences, 2023
  • Jim Woodson, Advancing Retreating Emanations, 2023
    Jim Woodson, Advancing Retreating Emanations, 2023
  • Jim Woodson, Persistent Transforming Emergents , 2024
    Jim Woodson, Persistent Transforming Emergents , 2024
  • Jim Woodson, Consolidating Intigrated Coherences, 2024
    Jim Woodson, Consolidating Intigrated Coherences, 2024
  • Jim Woodson, Descending Entropic Transitions, 2024
    Jim Woodson, Descending Entropic Transitions, 2024
  • Jim Woodson, Temporal Materializing Essences, 2024
    Jim Woodson, Temporal Materializing Essences, 2024
  • Jim Woodson, Embedded Successive Emergences, 2024
    Jim Woodson, Embedded Successive Emergences, 2024
  • Jim Woodson, Music Composition 1, 2023
    Jim Woodson, Music Composition 1, 2023
  • Jim Woodson, Contraposed Divergent Transmutations, 2024
    Jim Woodson, Contraposed Divergent Transmutations, 2024
  • Jim Woodson, Music Composition 2, 2022
    Jim Woodson, Music Composition 2, 2022
  • Jim Woodson, Obligatory contradicting Transitions, 2023
    Jim Woodson, Obligatory contradicting Transitions, 2023
  • Jim Woodson, 23016, 2023
    Jim Woodson, 23016, 2023
  • Jim Woodson, Emergent Vertical Transitions, 2024
    Jim Woodson, Emergent Vertical Transitions, 2024
Installation Views